Concrete Blocks, Beirut Central District (BCD) |
There is a name for it, this meandering existence: these blocks of concrete that line the sidewalks; those checkpoints that shield our suicide bombers’ favorite spots; the embassies impregnating themselves in the middle of bustling neighborhoods; the security barriers that usher you in and out of no-go zones wringing the houses of every other big chief.
There is
a name for it, this city center that shutters every time parliamentarians
convene under democracy’s dome to discuss nothing. Every time the families of
kidnapped soldiers set up tent to plead for answers from a government that has
none.
There is
a name for a city donning the ornaments of its dread.
Families of Kidnapped Soldiers Demonstrating in BCD |
Not so
long ago, Lebanon could boast alone this architecture
of siege, a battered mother of grand old metropolises that had become
unruly hubs of fear. Not anymore. In Sanaa, Tripoli and Benghazi; in Homs, Aleppo
and Damascus; in Basra, Karbala and Baghdad, is our frightened future in
pastiche. To each city, its own style and pace of degradation, it goes without
saying, but from all, we can be sure this is the saddest of farewells to
yesterday’s semblances of peace.
And still,
I’d like to pretend—really, I would—that this meandering existence brings an
absurd quality to my Beiruti life, but the absurd has long settled into run-of-the-mill.
Should a Jihadi explode in the Southern Suburbs, I pray for it as if another
country. Should Bab al Tebbeneh and Jabal Muhsin do battle across Syria Street
up north in Tripoli, I mourn it
as if another continent. Should an assassin’s target shatter around, for
example, Solidere’s STARCO, I fret. Shit! This is right up my alley.
Some dilemmas
refuse to die in this locale: which districts to shun, which cantons to avoid, which
roads to skip, cafes to hang out in—and not. When to stay down and put and when
to ignore the gunshots. For spooks and fly-by-night lovers this is such fun. For the rest of us, this
late in the game, the silly hype is all but moot.
This is
the way we are. The way we live. Checkered days in checkered cities in a checkered
country. Neither at war nor in
repose. Or as the Daily Star put it in a fleeting moment of eloquence, “Neither in
emergency nor in development mode.”
But as makeshift
and haphazard as they might appear, the architectural eyesores mark the surface of this withering state,
much like they would a brigand’s face. These blights and scars tell tales about lineal bad behavior and full-blown system failure. In fact, they’re
of a piece with the tattered politics we have come to wear so well.
Sunni-Alawite
collisions in Tripoli, terrorists hanging about freely in Sidon’s Ain al Helweh,
Hezbollah and Jihadis fighting it out in “peripheral” Qalamoun and
Arsal, the president’s empty chair even when he’s there…: these are just a few
of the particulars of a “Lebanon” in total disarray.
A Main Entrance to the City Center |
And, of
course, with the roadblocks and barricades come battalions of steel and glass
skyscrapers laying waste
to our historical memory; greenery strewn for the populace, the way scrooges would
breadcrumbs to the hungry; traffic choking the arteries of a capital housing
literally half of this warring family; exorbitant electricity that lights up
only for the finest of Beirut…
Like
this, and forever, I can go on.
And so we
meander, at times furious, at others oblivious, going about our chores as best
we can, marveling at how well we are doing—considering. Art, we have. Plenty! Entrepreneurship
too. Promising startups spawning great products. Corruption is nearly
everywhere, true. But the book fairs dot the year and the music festivals turn
the summer into one happy sing
along.
Nada Sehnaoui's Haven't 15 years of Hiding in Toilets Been Enough |
They say
we are the incubator for the rest of the Arab world. I fear we could be, with replicas
outdoing the worst of our instincts. In 17 years of civil war, we sent 135,000
to their grave. Twelve and four years into their hell, Iraq and Syria, respectively, are
putting our body count to shame. Let’s see
in what other ways they will mimic us when they grow tired of all out slaughter
and opt for violence of the low-grade range.
In preparation for what awaits me in this metastasizing Levant,
I haven’t really been doing much, except watching the old order unraveling. No,
not Sykes-Picot and its boundaries, but the insides of postcolonial regimes that,
once upon a time, were all
embracing and all mighty.
I think
it was around 1992, barely a year after I had unpacked my bags in Ain al
Mreisseh, when I came to understand that—for all intents and purposes, and
bureaucratic formalities aside--my city is my country. Even those who still
rise when national anthems play and armies parade know that this mishmash of an enclave has
relinquished its monopolies on practically all levers of authority, sacrificing
with it any exclusive claim on
loyalty.
You could
say this is the Lebanese version of the Arab city-state rising, divvied up, cleansed,
shambolic and all but sovereign. Other collapsing realms in this region, no
doubt, have theirs.
This is
contagion in a nutshell--a sieving of a sort, as communities en masse escape
into safety among their kind. In its specifics, the future for far too many
innocent souls may be impossible to imagine, the experts warn, but already much
of what we are witnessing today is surely unimaginable.
Dubai,
you ask? Well, that’s the one, I suppose, against which we will forever be
juxtaposed when they cite outliers or conflicting regional trends. Dubai is one
hell of a story, I’ll admit. But every time I visit, I always find it very
balancing to remember the many in the dungeon when enjoying my time in the sun.
And, by
the way, if you are in search of material about what in the world is wrong with
the world, I recommend the latest book by Columbia University’s Saskia Sassen,
appropriately enough titled Expulsions.
2 comments:
This is off-topic, but the font is very distracting and hard to read. It's large and thin. I'd recommend sticking to tried and proven font that reads well. Your font is creative, but taxing. I did not finish the article, sorry.
Interesting stories and pictures. Thanks for sharing.
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